Bob Baker’s 17-year tenure as the Citadel Theatre’s artistic director may have wrapped last summer, but his connection to the company and Edmonton’s theatre community persists with Sense and Sensibility—the final production he’s directing this season.
Baker asked local playwright Tom Wood to adapt Jane Austen’s literary classic to the stage, because it’s more than a romantic comedy of manners.
“It’s got a lot of edge to it,” Baker says. “It’s got a lot of pain in it, it’s got a lot of heart in it. So I thought it would be a great production for the Citadel to present, but also for the participants of the Citadel Banff Program.” Read more
Baker is an old professional acquaintance who directed me in all of my appearance at the Citadel Theatre, so it was great to reconnect with him and learn about his current and future ambitions.
Sense and Sensibility opens tonight and runs until May 14 in the Citadel’s Shoctor Theatre. You can get tickets from the box office website.
I previewed Citie Ballet’s third and final production of its 2016/2017 season for Vue Weeklytoday.
This weekend, Edmonton’s Citie Ballet wraps its fifth season at the Timms Centre for the Arts with Boundaries—dance that challenges traditional balletic conventions.
The company’s artistic director, Jorden Morris says the two-part performance features something for everyone. Read more
The first featured ballet is choreographed by 22-year-old Kylee Hart, who’s also a dancer with Citie Ballet. It was incredible speaking with both Hart and Morris about the way they’re trying to push the conventions of their art.
In a preview for Vue Weekly, I had the chance to speak to Laura Ward, the director of the incredibly varied Edmonton Resiliency Festival.
Saturday’s third annual Edmonton Resilience Festival explores the many facets of sustainable living. Held at Waldorf Independent School, it is timed to coincide with the change of seasons in Edmonton and Earth Day. Read more
I’d never heard of this one-day, workshop-based festival before, but it’s brimming with opportunities to learn about living in a sustainably fulfilling way, and the workshops are ticketed individually. Check out the schedule and more info at the Edmonton Resiliency Festival website.
While the first two episode of studio Bridge’s The Royal Tutor (Oushitsu Kyoushi Haine)fall squarely into the genre of comedy, they also do an excellent job of charting a path of character discovery to give its jokes some weight.
Studio feel.’s latest foray into the teenage romantic drama genre with TsukigaKirei (As The Moon, So Beautiful.) strikes a pretty, but frustratingly boring premiere. The slower change of pace might have been its selling point if much of the debut didn’t feel like an ad for messaging service LINE.