Women The Verge Of A Nervous Breakdown is my new favourite musical (overtaking Chicago and Rent) and I reviewed it for Vue Weekly.
Plain Jane Theatre Company has always had a knack for reviving musicals that didn’t necessarily live up to their initial potential during Broadway runs, but Women On The Verge Of A Nervous Breakdown is a standout.
A farcical tale of love, infidelity, and crime in ‘80s Madrid, Jeffery Lane’s screenplay (based on the 1988 film by Pedro Almodóvar) boasts an abundance of the embellishments that make a great romantic comedy work, while also presenting an endearing human narrative that’s brought to life with surprising continuity by Plain Janes’ cast and crew. Read more
Until now, I’ve never felt like I absolutely need to see a show twice during its run before, but this Plain Janes production absolutely warrants it. The show runs through Saturday at the Varscona Theatre, and you don’t want to miss it if you’re in Edmonton!
It’s easy to get excited about an animated feature when you hear its coming from some of the creators behind Studio Ghibli’s greatest works, and in almost all respects, Mary and the Witch’s Flower (Mary to Majo no Hana) meets expectations.
I worked as a reporter at the Leduc Repweekly newspaper from the start of June until the end of August 2017. The newsroom was small, but my audience was engaged. My writing and photography also served several municipalities, appearing in the Devon Dispatch, Beaumont News and several other small papers. I was worked to the bone, but I learned a lot in the process. Here are some of my favourite stories from the internship.
Macewan University’s The Scavenger magazine ran my feature profile of Edmonton’s 2016-17 Youth Poet Laureate today. Nasra Adem is an inspiring artist, and I’m so happy to share part of her story.
On this hot summer day, Nasra Adem gazes out at the 600 demonstrators packed against a precautionary police line at the steps of the Alberta Legislature, and puts her body where her poetry is. Wearing a traditional orange-and-green African dress that hangs past her ankles, and a matching headdress that temporarily tames the frizz of her thick black hair, she looks out from the podium into the faces of the crowd, and finds sympathetic eyes staring back.
This August rally has formed under an “End Racism in Canada” banner. It is, in part, a reaction to the alt-right extremists who had marched in the streets of Charlottesville, Va., two weeks before, and, in part, a denunciation of the myth that racism doesn’t exist in Edmonton. Adem leaped – as she often does – at the chance to present her work for an important cause. Not necessarily as 2017’s Edmonton Youth Poet Laureate, but as an affected voice trying to change the world for the better.
Some days, she changes the young, urging them to embrace love and question what they see. Some nights, she changes the old, chipping away at their hardened views from a place of vulnerability. And sometimes, she is blocked by a seething lie that has poked at the Canadian psyche as long as she can remember. Read more
I previewed Good Grieffor Vue Weekly today. It’s an exciting debut exhibition by Jay Procktor, an Edmonton photographer I respect immensely.
As a Grade 1 teacher, Jay Procktor sometimes clowns around with his students. But after years of work on the side as a photographer, the 43-year-old local is unveiling his first large gallery exhibition this week, filled with 16 images of clowns in both a literal and symbolic sense.
The Good Grief exhibit is inspired by personal loss Procktor has encountered, featuring 15 self-portraits and one photo of Procktor’s father.
In February 2012, Procktor’s best friend passed away and five months later his father also passed after a long battle with cancer. Read more
My interview with Procktor was one of my all-time favourites. The way he channeled loss into a community project culminating in fantastic art is incredible. I only wish I had more space to share his story.
Last week I previewed the Banff Mountain Film Festival World Tour for Vue Weekly. The Edmonton stop of the tour brought documentaries from around the world to a new venue.
Tales of skiers, spelunkers, kayakers and more will hit the big screen in the Banff Mountain Film Festival World Tour this week. And for the Edmonton leg of this year’s tour, that screen will be in Garneau Theatre.
The main Banff Mountain Film Festival, which began in 1976 under what is now the Banff Centre for Arts and Creativity, screens international submissions every fall. Following the initial screening, the Banff Mountain Film Festival World Tour shares them with more than 550 communities around the globe. Read more
Track ‘N Trail hosts the festival every year, and it was enlightening to hear about the variety of films they selected this year. The screenings appealed to more than just people who love the outdoors; there was a distinct human interest bent this year too.
I returned to my musical roots again this week when I previewed the Heart of the City Music and Arts Festival for Vue Weekly.
The annual Heart of the City Music and Arts Festival will take over Giovanni Caboto Park again this Saturday and Sunday as it highlights inner city artists for the 14th year in a row.
Charity Slobod, an organizing board member for the festival, has helped run the event for six years, and she says its primary goal is always the same.
“The main focus, and the most important point, is really giving a platform and helping inspire inner city musicians, artists, slam poets—you name it,” Slobod says. “If you sing it, you can play it, you can be on our stage.” Read more
I played with a high school rock band (Goodluck Jonathan) at the festival in 2010, so it’s great to hear that it is still growing and supporting artists in Edmonton’s core.