It’s easy to get excited about an animated feature when you hear its coming from some of the creators behind Studio Ghibli’s greatest works, and in almost all respects, Mary and the Witch’s Flower (Mary to Majo no Hana) meets expectations.
I worked as a reporter at the Leduc Rep weekly newspaper from the start of June until the end of August 2017. The newsroom was small, but my audience was engaged. My writing and photography also served several municipalities, appearing in the Devon Dispatch, Beaumont News and several other small papers. I was worked to the bone, but I learned a lot in the process. Here are some of my favourite stories from the internship.
On this hot summer day, Nasra Adem gazes out at the 600 demonstrators packed against a precautionary police line at the steps of the Alberta Legislature, and puts her body where her poetry is. Wearing a traditional orange-and-green African dress that hangs past her ankles, and a matching headdress that temporarily tames the frizz of her thick black hair, she looks out from the podium into the faces of the crowd, and finds sympathetic eyes staring back.
This August rally has formed under an “End Racism in Canada” banner. It is, in part, a reaction to the alt-right extremists who had marched in the streets of Charlottesville, Va., two weeks before, and, in part, a denunciation of the myth that racism doesn’t exist in Edmonton. Adem leaped – as she often does – at the chance to present her work for an important cause. Not necessarily as 2017’s Edmonton Youth Poet Laureate, but as an affected voice trying to change the world for the better.
Some days, she changes the young, urging them to embrace love and question what they see. Some nights, she changes the old, chipping away at their hardened views from a place of vulnerability. And sometimes, she is blocked by a seething lie that has poked at the Canadian psyche as long as she can remember. Read more
I previewed Good Grief for Vue Weekly today. It’s an exciting debut exhibition by Jay Procktor, an Edmonton photographer I respect immensely.
As a Grade 1 teacher, Jay Procktor sometimes clowns around with his students. But after years of work on the side as a photographer, the 43-year-old local is unveiling his first large gallery exhibition this week, filled with 16 images of clowns in both a literal and symbolic sense.
The Good Grief exhibit is inspired by personal loss Procktor has encountered, featuring 15 self-portraits and one photo of Procktor’s father.
In February 2012, Procktor’s best friend passed away and five months later his father also passed after a long battle with cancer. Read more
My interview with Procktor was one of my all-time favourites. The way he channeled loss into a community project culminating in fantastic art is incredible. I only wish I had more space to share his story.
Last week I previewed the Banff Mountain Film Festival World Tour for Vue Weekly. The Edmonton stop of the tour brought documentaries from around the world to a new venue.
Tales of skiers, spelunkers, kayakers and more will hit the big screen in the Banff Mountain Film Festival World Tour this week. And for the Edmonton leg of this year’s tour, that screen will be in Garneau Theatre.
The main Banff Mountain Film Festival, which began in 1976 under what is now the Banff Centre for Arts and Creativity, screens international submissions every fall. Following the initial screening, the Banff Mountain Film Festival World Tour shares them with more than 550 communities around the globe. Read more
Track ‘N Trail hosts the festival every year, and it was enlightening to hear about the variety of films they selected this year. The screenings appealed to more than just people who love the outdoors; there was a distinct human interest bent this year too.
The annual Heart of the City Music and Arts Festival will take over Giovanni Caboto Park again this Saturday and Sunday as it highlights inner city artists for the 14th year in a row.
Charity Slobod, an organizing board member for the festival, has helped run the event for six years, and she says its primary goal is always the same.
“The main focus, and the most important point, is really giving a platform and helping inspire inner city musicians, artists, slam poets—you name it,” Slobod says. “If you sing it, you can play it, you can be on our stage.” Read more
Jennifer Cockrall-King/ Curtis Trent Photography
I previewed the second High Level Lit Salon this week for Vue Weekly, and the lineup looks as spectacular and as diverse as the first.
Four local writers will converge at The Mercury Room on Wednesday to discuss their work on a non-fiction anthology reflecting on Canada’s 150th birthday from an Edmonton perspective.
High Level Lit: Musings on YEG for Canada’s Sesquicentennial will feature essays and poetry from 12 local authors and be published as a special issue of Eighteen Bridges Magazine this October. The project is organized by the Edmonton Community Foundation in tandem with LitFest Alberta.
The High Level Lit Salon Series spotlights the anthology’s contributors with a live event, and the second salon will feature food culture writer Jennifer Cockrall-King, former Edmonton poet laureate Anna Marie Sewell, and local playwright Darrin Hagen. Malcom “Minister Faust” Azania also returns to host the event, after he read excerpts of his anthology contribution at the first salon on Mar. 1. He says the anthology focuses mostly on the Canadian settler perspective. Read more
The Salon Series and High Level Lit: Musings on YEG for Canada’s Sesquicentennial anthology aim to acknowledge that Canada 150 isn’t a celebration for all Canadians. The perspectives of each writer reflect that, and I can’t wait to learn more