On Nov. 29, 2018 beloved Edmonton alt-weekly Vue Weeklypublished its final edition. Prior to that I’d neglected to share links to my clips from recent months, so here’s a list of my final seven stories in Vue Weekly after two years of freelancing for the paper.
I reviewed Edmonton Opera’s production of La Cenerentolafor Vue Weekly earlier this month. I’ve never heard so many laughs in an opera house.
Edmonton Opera’s rendition of Cinderella is a funny, modernized take on Gioachino Rossini’s 1817 masterpiece La Cenerentola that’s as much a display of great theatre as it is a demonstration of the beautiful limits of the human voice.
Every acting performance in Cinderella is superb. Don Magnifico (Peter McGillivray) is great as a bumbling idiot who respects food and wine more than he respects people, and Tisbe (Sylvia Szadovski) and Clorinda (Caitlyn Wood) play their obnoxious sister roles perfectly. But it’s Dandini (Michael Nyby) who really steals the show. Read more
The La Cenerentola production already finished it’s run, but Edmonton Opera already announced its 2017-2018 line up. You can check it out on their website, featuring Les Feluettes, HMS Pinafore, and Don Giovanni.