To Be Moved/Blarney Productions
I reviewed 15 shows at the Edmonton International Fringe Festival for Vue Weekly‘s EdmontonFringe.ca this weekend. Here they all are in one place, ordered from fav to least.
The annual Heart of the City Music and Arts Festival will take over Giovanni Caboto Park again this Saturday and Sunday as it highlights inner city artists for the 14th year in a row.
Charity Slobod, an organizing board member for the festival, has helped run the event for six years, and she says its primary goal is always the same.
“The main focus, and the most important point, is really giving a platform and helping inspire inner city musicians, artists, slam poets—you name it,” Slobod says. “If you sing it, you can play it, you can be on our stage.” Read more
Image design by Raine Radtke
I’ve never seen a bad senior graduation recital out of MacEwan University’s music program, but none has ever hit me quite like Leah Harman’s.
Feist is a performer that’s renowned for visual flare in her live performances as well as her musical prowess. Her closing set on Thursday night of this year’s Edmonton Folk Music Festival did not fail to live up to that legacy, and despite a few horrid moments roused by the audience members that joined her on stage, she put on a show that I’m convinced I couldn’t see anywhere else.
Feist didn’t perform her songs straight off of her record. Instead she sang variations of her tracks. This is a practice I wish artist would adopt more frequently. Asking your audience to join in with the chorus once in a while in fine, but talent really shines when you can manipulate your studio tracks into something different, but equally great.