I previewed Good Grieffor Vue Weekly today. It’s an exciting debut exhibition by Jay Procktor, an Edmonton photographer I respect immensely.
As a Grade 1 teacher, Jay Procktor sometimes clowns around with his students. But after years of work on the side as a photographer, the 43-year-old local is unveiling his first large gallery exhibition this week, filled with 16 images of clowns in both a literal and symbolic sense.
The Good Grief exhibit is inspired by personal loss Procktor has encountered, featuring 15 self-portraits and one photo of Procktor’s father.
In February 2012, Procktor’s best friend passed away and five months later his father also passed after a long battle with cancer. Read more
My interview with Procktor was one of my all-time favourites. The way he channeled loss into a community project culminating in fantastic art is incredible. I only wish I had more space to share his story.
I previewed Citie Ballet’s third and final production of its 2016/2017 season for Vue Weeklytoday.
This weekend, Edmonton’s Citie Ballet wraps its fifth season at the Timms Centre for the Arts with Boundaries—dance that challenges traditional balletic conventions.
The company’s artistic director, Jorden Morris says the two-part performance features something for everyone. Read more
The first featured ballet is choreographed by 22-year-old Kylee Hart, who’s also a dancer with Citie Ballet. It was incredible speaking with both Hart and Morris about the way they’re trying to push the conventions of their art.
In a preview for Vue Weekly, I had the chance to speak to Laura Ward, the director of the incredibly varied Edmonton Resiliency Festival.
Saturday’s third annual Edmonton Resilience Festival explores the many facets of sustainable living. Held at Waldorf Independent School, it is timed to coincide with the change of seasons in Edmonton and Earth Day. Read more
I’d never heard of this one-day, workshop-based festival before, but it’s brimming with opportunities to learn about living in a sustainably fulfilling way, and the workshops are ticketed individually. Check out the schedule and more info at the Edmonton Resiliency Festival website.
While the first two episode of studio Bridge’s The Royal Tutor (Oushitsu Kyoushi Haine)fall squarely into the genre of comedy, they also do an excellent job of charting a path of character discovery to give its jokes some weight.
Studio feel.’s latest foray into the teenage romantic drama genre with TsukigaKirei (As The Moon, So Beautiful.) strikes a pretty, but frustratingly boring premiere. The slower change of pace might have been its selling point if much of the debut didn’t feel like an ad for messaging service LINE.