I tackled a film review of Doob: No Bed of Roses for Vue Weekly this week. I thought it was a great, probing film
Bangladeshi director Mostofa Sarwar Farooki’s latest lodges a chisel into a rock labelled “unfaithful love.” And during 85 minutes of film, he gently hews away until there’s nothing left.
No Bed of Roses (Doob) trains a plodding lens on infidelity—a subject that’s often only struck with comedic and glancing blows in western cinema—and places us within some of the most uncomfortable moments of a fracturing family in a present-day Bangladesh city. Muted greys and whites hang over each frame, draping an impossible-to-shake malaise over each character’s conversations during some of the lowest points in their lives. Read more
Serendipitously, Doob: No Bed of Roses hits on several things I’ve recently been thinking about and studying in fiction and reality (infidelity, global media systems, interpersonal pressures), so I was thrilled to tackle this review. The film runs at The Princess Theatre this Saturday and Sunday.
I had a fun time previewing La Traviata in Vue Weekly this week. It’s described as the ‘pinnacle’ of opera, and this production is set in a cabaret club.
Mercury Opera’s slogan may be “Opera where you least expect it,” but for this week’s production of the iconic La Traviata, it’s hard to imagine a more fitting venue in Edmonton than the Chez Pierre Cabaret.
La Traviata tells a tragic tale of overlapping love triangles in 1920s Paris, with Violetta Valéry (an accomplished courtesan) and Alfredo Germont (the first man she feels has truly loved her) at the centre.
And within the intimate club setting of Chez Pierre, Mercury Opera artistic director Darcia Parada says an eight-piece orchestra will bring Giuseppe Verdi’s music to life while internationally acclaimed singers unleash their voices up close as if every audience member is a part of the characters’ party. Guests are even invited to attend in ‘20s attire to suit the occasion. Read more
I can’t wait to see what it feels like to be so close to the performers. I love the way Mercury Opera‘s tries to hook new audiences, and Chez Pierre couldn’t be a better choice to flaunt that approach. The show runs through Mar. 11.
I worked as a reporter at the Leduc Repweekly newspaper from the start of June until the end of August 2017. The newsroom was small, but my audience was engaged. My writing and photography also served several municipalities, appearing in the Devon Dispatch, Beaumont News and several other small papers. I was worked to the bone, but I learned a lot in the process. Here are some of my favourite stories from the internship.
I previewed Good Grieffor Vue Weekly today. It’s an exciting debut exhibition by Jay Procktor, an Edmonton photographer I respect immensely.
As a Grade 1 teacher, Jay Procktor sometimes clowns around with his students. But after years of work on the side as a photographer, the 43-year-old local is unveiling his first large gallery exhibition this week, filled with 16 images of clowns in both a literal and symbolic sense.
The Good Grief exhibit is inspired by personal loss Procktor has encountered, featuring 15 self-portraits and one photo of Procktor’s father.
In February 2012, Procktor’s best friend passed away and five months later his father also passed after a long battle with cancer. Read more
My interview with Procktor was one of my all-time favourites. The way he channeled loss into a community project culminating in fantastic art is incredible. I only wish I had more space to share his story.
Last week I previewed the Banff Mountain Film Festival World Tour for Vue Weekly. The Edmonton stop of the tour brought documentaries from around the world to a new venue.
Tales of skiers, spelunkers, kayakers and more will hit the big screen in the Banff Mountain Film Festival World Tour this week. And for the Edmonton leg of this year’s tour, that screen will be in Garneau Theatre.
The main Banff Mountain Film Festival, which began in 1976 under what is now the Banff Centre for Arts and Creativity, screens international submissions every fall. Following the initial screening, the Banff Mountain Film Festival World Tour shares them with more than 550 communities around the globe. Read more
Track ‘N Trail hosts the festival every year, and it was enlightening to hear about the variety of films they selected this year. The screenings appealed to more than just people who love the outdoors; there was a distinct human interest bent this year too.
I previewed the second High Level Lit Salon this week for Vue Weekly, and the lineup looks as spectacular and as diverse as the first.
Four local writers will converge at The Mercury Room on Wednesday to discuss their work on a non-fiction anthology reflecting on Canada’s 150th birthday from an Edmonton perspective.
High Level Lit: Musings on YEG for Canada’s Sesquicentennial will feature essays and poetry from 12 local authors and be published as a special issue of Eighteen Bridges Magazine this October. The project is organized by the Edmonton Community Foundation in tandem with LitFest Alberta.
The High Level Lit Salon Series spotlights the anthology’s contributors with a live event, and the second salon will feature food culture writer Jennifer Cockrall-King, former Edmonton poet laureateAnna Marie Sewell, and local playwright Darrin Hagen. Malcom “Minister Faust” Azania also returns to host the event, after he read excerpts of his anthology contribution at the first salon on Mar. 1. He says the anthology focuses mostly on the Canadian settler perspective. Read more
The Salon Series and High Level Lit: Musings on YEG for Canada’s Sesquicentennial anthology aim to acknowledge that Canada 150 isn’t a celebration for all Canadians. The perspectives of each writer reflect that, and I can’t wait to learn more
Last week I reported on SpaceFinder Alberta for Vue Weekly. It’s a service brimming with potential, and making it’s way to my province after finding success across North America.
One of the most frustrating barriers to creating art is finding a space to work in. SpaceFinder Albertais changing this with a listing service aiming to provide a robust solution for Albertan creators.
“We’re kind of referring to it as the Airbnb for non-profits and artists to find the spaces that they require to do their work,” Julian Mayne says. Read more
SpaceFinder Alberta is free to use, growing steadily, and its granular filters should help creatives find the right space for their needs. It seems simple, but execution is everything, so here’s hoping the service succeeds.