I started work as a reporter at the Leduc Rep weekly newspaper on Monday. The newsroom is small, but its audience is engaged, so I’ll have my work cut out for me during this summer internship.
Jennifer Cockrall-King/ Curtis Trent Photography
I previewed the second High Level Lit Salon this week for Vue Weekly, and the lineup looks as spectacular and as diverse as the first.
Four local writers will converge at The Mercury Room on Wednesday to discuss their work on a non-fiction anthology reflecting on Canada’s 150th birthday from an Edmonton perspective.
High Level Lit: Musings on YEG for Canada’s Sesquicentennial will feature essays and poetry from 12 local authors and be published as a special issue of Eighteen Bridges Magazine this October. The project is organized by the Edmonton Community Foundation in tandem with LitFest Alberta.
The High Level Lit Salon Series spotlights the anthology’s contributors with a live event, and the second salon will feature food culture writer Jennifer Cockrall-King, former Edmonton poet laureate Anna Marie Sewell, and local playwright Darrin Hagen. Malcom “Minister Faust” Azania also returns to host the event, after he read excerpts of his anthology contribution at the first salon on Mar. 1. He says the anthology focuses mostly on the Canadian settler perspective. Read more
The Salon Series and High Level Lit: Musings on YEG for Canada’s Sesquicentennial anthology aim to acknowledge that Canada 150 isn’t a celebration for all Canadians. The perspectives of each writer reflect that, and I can’t wait to learn more
Photo by Dave Von Bieker
Last week I reported on SpaceFinder Alberta for Vue Weekly. It’s a service brimming with potential, and making it’s way to my province after finding success across North America.
One of the most frustrating barriers to creating art is finding a space to work in. SpaceFinder Alberta is changing this with a listing service aiming to provide a robust solution for Albertan creators.
“We’re kind of referring to it as the Airbnb for non-profits and artists to find the spaces that they require to do their work,” Julian Mayne says. Read more
SpaceFinder Alberta is free to use, growing steadily, and its granular filters should help creatives find the right space for their needs. It seems simple, but execution is everything, so here’s hoping the service succeeds.
I previewed Jeff Sylvester’s latest exhibition, Signals, for Vue Weekly earlier this month.
The work of longtime Edmonton-based artist Jeff Sylvester looks like animated freeze-frames. And Signals, his latest solo exhibition installed this week at The Front Gallery, continues his concept of melding natural and man-made figures with his paintings.
The 44-year-old father of three slowed his exhibition pace after he had kids, but he’s been working steadily on Signals for the past two years and he’s happy with the result. Read more
The exhibition is up until June 5 at The Front Gallery, and both Sylvester and gallery owner Rachel Bouchard say you have to see the paintings in person to really appreciate them.
Here’s part of my review for Grindstone Theatre and The Malachites Henry V which appeared on Vue Weekly yesterday.
‘All things are ready, if our minds be so,’ but fighting the nature of our own ears isn’t always an achievable task.
The elegance of the space inside Holy Trinity Anglican Church certainly lends itself to champion the spirit of Shakespeare in a modern time, but the effects of that grand mission statement are lost when I can’t hear what the players are saying. Read more
The joint production between Edmonton’s Grindstone Theatre and London, England’s The Malachites is directed by Benjamin Blyth. Brynn Linsey’s performance and King Henry V marks a Canadian first, and you can try to listen to her great performance at St. Stephen’s Anglican Church. The play runs tonight and tomorrow at 7:30pm.
Here’s a part of my review for Cardiac Theatre’s Peter Fechter: 59 Minutes which appeared on Vue Weekly yesterday:
No one knows what it’s like to die, at least no one alive to recount the experience. Still, the seconds, minutes, and hours before death can be observed and communicated with as much precision as a dying person’s five senses and remaining faculties will allow. Peter Fechter: 59 Minutes is an incredibly lucid journey that leads us through the mind of a boy who suffered one of the most politically public deaths of the 20th century. Read more
Cardiac Theatre’s production of Peter Fechter: 59 Minutes is directed Harley Morison and written by Jordan Tannahill. You can catch Bradley Doré in the lead role while the play runs at the PCL Studio Theatre of ATB Financial Arts Barns. It plays tonight at 8pm and Sunday at 2pm.