Bob Baker’s 17-year tenure as the Citadel Theatre’s artistic director may have wrapped last summer, but his connection to the company and Edmonton’s theatre community persists with Sense and Sensibility—the final production he’s directing this season.
Baker asked local playwright Tom Wood to adapt Jane Austen’s literary classic to the stage, because it’s more than a romantic comedy of manners.
“It’s got a lot of edge to it,” Baker says. “It’s got a lot of pain in it, it’s got a lot of heart in it. So I thought it would be a great production for the Citadel to present, but also for the participants of the Citadel Banff Program.” Read more
Baker is an old professional acquaintance who directed me in all of my appearance at the Citadel Theatre, so it was great to reconnect with him and learn about his current and future ambitions.
Sense and Sensibility opens tonight and runs until May 14 in the Citadel’s Shoctor Theatre. You can get tickets from the box office website.
I previewed Citie Ballet’s third and final production of its 2016/2017 season for Vue Weeklytoday.
This weekend, Edmonton’s Citie Ballet wraps its fifth season at the Timms Centre for the Arts with Boundaries—dance that challenges traditional balletic conventions.
The company’s artistic director, Jorden Morris says the two-part performance features something for everyone. Read more
The first featured ballet is choreographed by 22-year-old Kylee Hart, who’s also a dancer with Citie Ballet. It was incredible speaking with both Hart and Morris about the way they’re trying to push the conventions of their art.
I wrote in Vue Weeklythis week about The Maggie Tree theatre company’s production of 9 Parts of Desire.
The original one-woman play, 9 Parts of Desire, isn’t meant to explain things simply. Written and performed by award-winning Iraqi-American Heather Raffo, it’s that depthwhich caught the attention of Edmonton’s The Maggie Tree theatre company.
The Maggie Tree co-executive director and director for the production, Vanessa Sabourin, looks forward to bringing the project to the Varscona Theatre.
“Something that we have always enjoyed with Maggie Tree is getting people to gather, and also putting forward big questions,” Sabourin says. Read more
It’s been a long time since I’ve been able to interact with The Maggie Tree, but talking to Sabourin about their brand of theatre got me excited all over again. At the Varscona Theatre, 9 Parts of Desire opens tonight and runs through April 15.
Here’s a preview I wrote for Vue Weekly about an exciting looking play called Soliciting Temptation opening at the Varscona Theatre tonight.
Soliciting Temptationtackles the social complexities of sex tourism from the inside of one nondescript hotel room set in an exotic country. And that hotel room shuttled from Calgary to Edmonton this week for a new crowd to see. Read more
The Jason Mehmel-directed play is coproduced by Calgary’s Sage Theatre and Edmonton’s Shadow Theatre, starring Patricia Cerra and Mattie Overall. The 90-minute, two-person performance opens at 7:30pm tonight and runs until Mar. 26.
This week, I’m fleshing out my clips directory with some older freelance work I completed in the last six months.
Here’s a profile of the Edmonton’s Monster Pro Wrestling that I wrote and shot for Vue Weekly in September.
Only a handful of active independent Canadian wrestling promotions can say they’ve been going strong for 14 years with no signs of slowing. Edmonton’s Monster Pro Wrestling, founded by Sean “Massive Damage” Dunster in 2002, just crested that milestone. Read more
Dunster and his team run a truly entertaining monthly docket of fights. You can find out more about all their upcoming events on the Monster Pro Wrestling Facebook page, Twitter, and website. The promotion has a big event coming up this Saturday at 7pm. Tickets are $20 in advance, and $25 at the door at The Ranch Roadhouse.
I reviewed Edmonton Opera’s production of La Cenerentolafor Vue Weekly earlier this month. I’ve never heard so many laughs in an opera house.
Edmonton Opera’s rendition of Cinderella is a funny, modernized take on Gioachino Rossini’s 1817 masterpiece La Cenerentola that’s as much a display of great theatre as it is a demonstration of the beautiful limits of the human voice.
Every acting performance in Cinderella is superb. Don Magnifico (Peter McGillivray) is great as a bumbling idiot who respects food and wine more than he respects people, and Tisbe (Sylvia Szadovski) and Clorinda (Caitlyn Wood) play their obnoxious sister roles perfectly. But it’s Dandini (Michael Nyby) who really steals the show. Read more
The La Cenerentola production already finished it’s run, but Edmonton Opera already announced its 2017-2018 line up. You can check it out on their website, featuring Les Feluettes, HMS Pinafore, and Don Giovanni.